On This Day In Judy Garland’s Life And Career – December 2

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“Is there anyone who can listen to Judy Garland singing The Man That Got Away, without feeling a chill up the spine?” – Margaret Hinxman, 1983





December 2, 1927:  “The Gumm Sisters” performed at their father’s theater, The Valley Theater, in Lancaster, California.  Frances (Judy) sang solos in the show (the “Kinky Kid Parade”) which included her impression of Al Jolson singing “Mammy” while in blackface.



December 2, 1938:  Singing, Swinging Judy!



December 2, 1939:  Good News was still news for Judy and Mickey Rooney.  The trade magazine, the “Independent Film Exhibitors Bulletin,” in their section titled “Production Section – Studio Size-Ups, ” listed the various upcoming films on studio schedules.  Judy’s name pops up a lot in mid-1939 then later for various projects that she never appeared in or the films were never made.

The text reads:
December 2, 1939: “Good News” was still news: Paul Whiteman and his band may appear in “Good News”, the next Mickey Rooney-Judy Garland starring vehicle.

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Producer Arthur Freed had wanted to remake “Good News” (it had been initially filmed in 1930) as a vehicle for Judy and Mickey after their huge success with “Babes in Arms.” Instead, and allegedly at the urging of MGM studio head Louis B. Mayer, he went with the more patriotic “Strike Up The Band.” Over the years, “Good News” was in and out of the newspaper columns as a Garland/Rooney project until it was obvious that both stars had outgrown the “kids’ pictures.” The project finally made it to the screen in 1947, with June Allyson and Peter Lawford in the lead roles.

Note that one of the notices shown here mentions a new Arthur Freed song titled “Our Love” that was to be in “Good News.” That might be a reference to what became known as “Our Love Affair,” which was performed in “Strike Up The Band” by Judy and Mickey and became a standard.

Pics:  Notices, plus a window card for the 1930 film version of the show.

More details and images of all of Judy’s activities during that golden year of 1939 can be found on The Judy Room’s Garland Biography 1939 Page.



December 2, 1939:  This article appeared in the Australian Women’s Weekly “Movie World” section, featuring these great color photos.  The article is about fantasy characters in films and mentions not just The Wizard of Oz but also Fox’s The Blue Bird production and a proposed biopic of Hans Christian Andersen starring Gary Cooper.  That wouldn’t be made until years later, with Danny Kaye in the title role.

“Oz” related text reads:
That juvenile queen of swing and song Judy Garland, lately put a blue bow on her hair and widened her eyes to wander through the gorgeous technicolor fantasy of “The Wizard of Oz.”

Judy and Frank Morgan are the only “ordinary” people in this Metro-Goldwyn-Mayer picture which has completely captivated America. It comes from a story by Frank Baum, which has been read by millions of children within the United States and overseas.

As a little girl from Kansas who is swept away on a whirlwind, Judy meets all kinds of odd people in the land of Oz. Peep beneath the super make-up and you will find that the Fairy Queen is Billie Burke; that the Cowardly Lion is comedian Bert Lahr; that the Tin Woodman is Jack Haley; and that the Scarecrow is Ray Bolger.

Producer Mervyn Le Roy, who was jeered at while the picture was in production, and is now being applauded by all, explains just why he made his studio spend nearly 1,000,000 on a musical extravaganza.

The screen has become so fascinated by the fairy tale that it has already snubbed Snow White herself!

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More details and images of all of Judy’s activities during that golden year of 1939 can be found on The Judy Room’s Garland Biography 1939 Page.

Check out The Judy Room’s Spotlight on The Wizard of Oz here.



December 2, 1939:  Judy and her sister Sue recently visited a girl in the hospital in Santa Ana, California.

According to the papers, the girl, Natalie Norris, was recuperating from “a major operation.”  The details of the operation were not given.  Her condition was critical for several days, and at one point, she had a “nightmare of delirium” in which she thought she was “Dorothy” in The Wizard of Oz.  Her doctor thought a call from Judy would help her recovery.

A visit was arranged by MGM, with Judy gifting the girl a set of photos (two signed by Judy as “Dorothy”), a doll, some books, and a special performance of “Over the Rainbow” by Judy to the girl.  The story was picked up by several columnists and was mentioned as late as early 1940.

The photos given to the girl have recently been discovered and are making their public debut here.  These are the only known surviving Oz promotional photos that Judy signed as “Dorothy.”

A huge thank you to Chris in Los Angeles for discovering these photos and bringing them to The Judy Room.  Thanks, Chris!

More details and images of all of Judy’s activities during that golden year of 1939 can be found on The Judy Room’s Garland Biography 1939 Page.

Check out The Judy Room’s Spotlight on The Wizard of Oz here.



November 2, 1942:  Here are cute photos of Judy that were run promoting For Me And My Gal, along with the usual ads and promotional photos.

Check out The Judy Room’s Filmography Pages on For Me And My Gal here.



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December 2, 1942:  Judy had more rehearsals for Girl Crazy.  Time called: 10 a.m.; dismissed: 4:45 p.m.  These rehearsals were most likely for the “I Got Rhythm” number.

Photo provided by Kim Lundgreen.  Thanks, Kim!

Check out The Judy Room’s Filmography Pages on Girl Crazy here.



December 2, 1943:  Recording session for Meet Me In St. Louis.  Judy pre-recorded one of her greatest songs: “The Trolley Song.”  She completed a perfect take with the first recording after only one rehearsal.  She then completed an additional take “for insurance,” and that is the one that is used in the film.  Afterward, and probably since they had some extra time, Judy rehearsed “Skip To My Lou” with the MGM Studio Chorus.

Listen to Take 2 of “The Trolley Song, here:

Check out The Judy Room’s Spotlight on Meet Me In St. Louis here.

Below is a news blurb about the beginning of production on the film.



December 2, 1944:  MGM placed this multi-page ad in most of the trade magazines and papers.  On this date, it ran in the “Motion Picture Daily.”

Check out The Judy Room’s Spotlight on Meet Me In St. Louis here.



December 2, 1943:  This four-page spread advertising Thousands Cheer appeared in the “Film Daily” trade magazine.



December-2,-1943-HELD-OVER-The_Boston_Globe

December 2, 1943:  Girl Crazy was being held over in many theaters around the country.  Here’s an example.

Check out The Judy Room’s Filmography Pages on Girl Crazy here.



December 2, 1944, & 1945:  A news blurb about the casting of The Harvey Girls.  Popular MGM star Ann Sothern was named.  It’s possible she was in the running for the role of “Em” that was played by Angela Lansbury.  Also included here is an ad for the film.



December 2, 1946:  Judy returned to MGM for her first day of work at the studio after taking time off to give birth to her daughter, Liza Minnelli.  She had originally been due back on November 6th but was unable to make it due to illness. This first day was relatively easy and short, consisting of wardrobe tests and rehearsals for The Pirate (see the photo below).

This evening was the live broadcast of the radio version of Meet Me In St. Louis for the Lux Radio Theater show on CBS Radio. Judy was joined by Margaret O’Brien and Tom Drake, all three recreating their roles from the 1944 film.

Listen to, and download, the broadcast here:

Details of the broadcast are as follows:

Producer: William Keightley
Director: Fred MacKaye
Announcer: John Milton Kennedy
Music conducted by: Louis Silvers

Starring: Judy Garland, Tom Drake, Margaret O’Brien, Gale Gordon

Host: William Keightley

Sound Effects: Max Uhlig, David Light, Walter Pierson, Charlie Forsyth
Sponsored by: Lever Brothers – Lux Toilet Soap
Sponsor Pitch person: Doris Singleton as Libby Collins in Lux commercials

Songs:
“Meet Me In St. Louis”
“The Boy Next Door”
“Skip To My Lou”
“Under The Bamboo Tree”
“Over The Bannister”
“The Trolley Song”,
“Have Yourself A Merry Little Christmas”

Check out The Judy Room’s Spotlight on Meet Me In St. Louis here.

Check out The Judy Room’s Filmography Page on The Pirate here.



December 2, 1946:  Decca Records released “There Is No Breeze” and “Don’t Tell Me That Story” on Decca Single #23746 with “Breeze” on the “A” side.

The two songs were recorded by Judy on October 1, 1946, in a session that lasted from 8 to 10:30 p.m.  It was the next-to-last recording session for Judy with Decca Records.  She had one more on November 15, 1947, at which time she recorded “Nothing But You”, “I Wish I Were In Love Again”, and “Falling In Love With Love.”

Listen to “There Is No Breeze” here:

Listen to “Don’t Tell Me That Story” here:

Listen to the alternate take of “Don’t Tell Me That Story” here:

Record photos from the Rick Smith Collection.  Thanks, Rick!

Check out The Judy Garland Online Discography’s Decca Records Section for all things pertaining to Judy’s prolific work for the label.



El-Pirata-Judy-Garland-Gene-Kelly-The-Pirate

December 2, 1947:  Judy had music rehearsals for the “Mack the Black” number for The Pirate, the second revised version that replaced the deleted “Voodoo” number.  Time called: 11 a.m.; Judy arrived at 11:40 a.m.; dismissed: 3:40 p.m.

Check out The Judy Room’s Filmography Pages on The Pirate here.



Judy-and-Bing-1950s

December 2, 1950:  Judy recorded her third appearance on “The Bing Crosby Show.”  The show aired on December 6th, which was a fast turnaround for Crosby’s shows.  He usually pre-recorded them a week or two in advance.  Judy and Bing’s duet on “Rudolph, The Red-Nosed Reindeer” is a fan favorite.

Listen to “Rudolph, The Red-Nosed Reindeer” here:

Listen to the entire show here:



December 2, 1953:  The A Star Is Born production company went on location to Piru, California to film the scenes in which Jack Carson’s “Libby” character catches Judy and James Mason’s “Vicki and Norman” after getting married on the sly rather than have a big, public wedding set up by the studio.  Libby is not amused.

Check out The Judy Room’s Extensive Spotlight on A Star Is Born here.

Photos provided by Kim Lundgreen. Thanks, Kim!



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December 2, 1955:  Be sure to get your copy of “Miss Show Business” on Capitol Records!

Check out The Judy Garland Online Discography’s “Miss Show Business” pages here.



December 2, 1962:  Judy taped an appearance on “The Jack Paar Program” at the NBC-TV studios at Rockefeller Center in New York City.  The show aired on December 7th and has become one of Judy’s most famous television appearances.  Appearing with Judy was Robert Goulet, her co-star in the recently released animated musical Gay Purr-ee.

Judy’s appearance was so successful that it led to the biggest deal of her career, which would be signed at the end of the month, her contract with CBS for her series, “The Judy Garland Show.”

Photos:  Snapshots of Judy taken after the taping; photos of Judy, Goulet, and Paar.

Check out The Judy Room’s “Judy Garland – The Concert Years” here.



Judy Garland Mel Torme Jack Jones

December 2, 1963:  The first of four days of rehearsals for the next “Judy Garland Show” (“Episode Fifteen” aka “The Christmas Show”) at CBS Television City in Los Angeles.  The dress rehearsal and videotaping took place on December 6.  Judy’s guests were Mel Torme, Jack Jones, and her three children, Liza Minnelli and Lorna and Joe Luft.  The screenshot above of Torme, Judy, & Jones, is from the final aired version of the show, taped on December 6.

Check out The Judy Room’s “Judy Garland – The Concert Years” here.



December 2, 1966:  Judy’s lawyers announced that she would seek an annulment of her fourth marriage (to Mark Herron) on the grounds that the marriage was never consummated.

Check out The Judy Room’s “Judy Garland – The Concert Years” here.



December 2, 1968:  After setting Judy’s new recording contract with his attorney, John Meyer caught the 5:30 flight from New York City to Boston.  After a brief, intimate reunion between Judy and John, in Judy’s hospital room, they joined their friend Annie (who was making new orchestrations for Judy) in singing Christmas carols to some of the patients in Peter Bent Brigham Hospital, including “God Rest Ye Merry Gentleman,” which Judy started.  There is also a receipt from this day for Lord & Taylor in Boston in the amount of $15.97.  Meyer picked up the items which included a new hat.

Check out The Judy Room’s “Judy Garland – The Concert Years” here.



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December 2, 1983:  This article was published in “The Daily Mail” in the UK.  A Star Is Born had just been restored and re-released to universal acclaim.  It was the first time a major restoration had been done on a major film and re-released.  The premiere of the “new” film took place at New York’s Radio City Music Hall on July 7th.

Check out The Judy Room’s Spotlight on A Star Is Born here.





4 comments

  1. That photo of Judy on the Paar show standing alone at the mike with her hands outstretched has always grabbed me. (It was the cover photoof the Mickey Deans paperback.) I LOVE the way she looks. She is at the height of her mature beauty and feminine dignified grace. It seems to me she is 100% HERSELF. Love the hair, love the dress, love that she was in such good form and high humor on this show. Haven’t seen the whole program and am curious what song she was singing when the photo I am talking about was taken. She is clearly pouring her heart out.

    1. Hi! I’m glad you like it. Judy is singing “Paris Is A Lonely Town.” The show aired on December 7th. Stay tuned for that date’s blog post. 🙂

  2. Hope I’m not over-posting lately, but another “wow!” day! I have never seen that lovely still of Judy from “Girl Crazy” before (in costume for the scene where she and Rooney are awaiting the governor).

    “There is No Breeze”/”Don’t Tell Me That Story:” Judy is in EXCEPTIONALLY beautiful voice here, but to me, both songs, especially “Breeze” are flat-out awful. I wish she had recorded something like, “Someone to Watch Over Me”, or “Easy to Love.” What gems she would’ve made of songs like these, instead of those two hokey songs. Great articles on “Oz” and “Star”, too. Thanks!!

    1. You’re not over-posted. I enjoy the feedback and I really appreciate that people are enjoying the posts.

      Those two Decca songs are very typical “background songs” to me. They’re nice but unexceptional. Judy’s voice add more than the songwriters really deserve! 🙂

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