On This Day In Judy Garland’s Life And Career – December 7

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“Frances [Judy Garland] alone is a sensation, and last Saturday’s audience realized it by the way they encored.  Much of her individual style of singing was culled by the little girl from her parent’s old act, although she must have the divine spark to be able to sing as she did … she would make any show.” – W.E. Oliver, 1934





December 7, 1934:  The final appearance by Judy and her sisters at their father’s theater in Lancaster, California.  The sisters were billed as “The Gumm Sisters” even though they had been appearing under the name of “The Garland Sisters” for some time.  The photo here was allegedly taken on this date and is the only known photo of the theater with the sisters on the marquee.

Also of note is this column in the Los Angeles Times printed on this date listing the sisters as part of the bill for the following night’s show at the Wilshire-Ebell Theater in LA. The show was “Irving Strouse’s Saturday Nite Vaudeville Frolics” and the sisters were billed as the “Garland Trio.”  The Times noted, “the Garland Sisters scored a hit, with the younger member of the trio practically stopping the show with her singing.”

Critic W.E. Oliver of the Los Angeles Evening Express noted: 12 Year Old Girl Is Sensation At Frolics” (Headline): “Little Frances … sang in a way that produced in the audience sensations that haven’t been equaled in years.  Not your smart, adult-aping prodigy is this girl, but a youngster who had the divine instinct to be herself on stage, along with a talent for singing, a trick of rocking the spectators with rhythms, and a capacity for putting emotion into her performance that suggests what Bernhardt must have been at her age.  It isn’t the cloying, heavy sentiment her elders so often strive for, but simple, sincere feeling that reaches the heart. The three girls together are an act anyone would want to see. Frances alone is a sensation, and last Saturday’s audience realized it by the way they encored.  Much of her individual style of singing was culled by the little girl from her parent’s old act, although she must have the divine spark to be able to sing as she did … she would make any show.

Divine spark indeed!



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December 7, 1935:  This notice ran in various papers around the country. It claims that Judy was signed to her MGM contract as a result of her recent appearances on the Shell Chateau radio show with Wallace Beery.  The truth is that Judy was signed that previous September.



December 7, 1935:  La Fiesta de Santa Barbara was released.  The short film was Judy’s first appearance on film since she and her sisters appeared in a series of shorts in 1929/30.

This turned out to be the last assignment for Judy and her sisters as a trio.  Filmed on location in Santa Barbara in August 1935, La Fiesta de Santa Barbara was released by MGM, making it Judy’s first appearance in an MGM film (predating her signing with the studio a month later) and also her first appearance in Technicolor.

Check out The Judy Room’s Filmography “Shorts” page for more information about all of the shorts Judy appeared in.



December 2, 1940:  The trade magazine “Motion Picture Daily” noted that Strike Up The Band was one of the box office champions for October 1940.

Check out The Judy Room’s Filmography Page on Strike Up The Band here.



December 7, 1941:  Judy appeared on “The Chase and Sanborn Hour” radio show broadcast out of Fort Ord near Monterey, CA, by NBC Radio, where she was entertaining the troops.  The show was interrupted several times by updates regarding the attack on Pearl Harbor.  Judy sang “Zing! Went The Strings Of My Heart” and performed with Edgar Bergen and Charlie McCarthy.

Listen to Judy’s segment of the show here:

Listen to “Zing! Went The Strings Of My Heart” here:

Also on this day:  Judy was made an honorary Corporal in H Company at Fort Ord.  Their newsletter stated:

JUDY GARLAND JOINS REGIMENT – STAR MADE HONORARY CORPORAL IN H COMPANY

Don’t crowd, men. Stay in line. You can’t all transfer to Company H at once. That’s the sentiment around here when news leaked out that Judy Garland, lovely star of radio and screen, was given an honorary corporalcy in Company H of the 1st Medical Regiment.

The minute Miss Garland came on the scene all eyes fastened on her. She was dressed in an attractive black and white outfit.

Major Martin had Judy line up with a squad of men from Company H, and 1st Sergeant Marshall Hummel pinned corporal’s stripes on each sleeve of Miss Garland’s sweater. A corporal’s warrant was then presented while a pair of identification tags were placed around her neck.



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December 7, 1942:  Judy had more rehearsals for Girl Crazy, most likely the “I Got Rhythm” number which was the first thing shot when filming began in early January 1943.

Check out The Judy Room’s Filmography Pages on Girl Crazy here.



December 7, 1943:  The first day of filming on Meet Me In St. Louis consisted of exterior trolley car scenes on MGM’s Lot #2, the “train depot” set, which was dressed up as, naturally, a trolley station.  Time called: 10 a.m.; Judy arrived at 11:16 a.m.; dismissed: 4:30 p.m.

More filming on the exterior set was completed the following day.  This standing set on the backlot was featured in dozens of MGM films, including For Me And My Gal and Strike Up The Band.  The bulk of the number was filmed on MGM’s Soundstage #14.

For more information and photos about where Judy’s movies were filmed on MGM’s fabulous backlots, check out The Judy Room’s “Judy Garland on the MGM Backlot” section, which details all of the sites on MGM’s fabled backlots where Judy’s movies were filmed.

Check out The Judy Room’s Spotlight on Meet Me In St. Louis here.



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December 7, 1944:  Judy and soon-to-be-husband Vincente Minnelli were in New York and attended the premiere of the Cole Porter Broadway show “Seven Lively Arts” at the Ziegfeld Theatre, which starred former “Cowardly Lion” Bert Lahr and Beatrice Lillie.  This photo was taken at the post-premiere party, also at the Ziegfeld Theatre.  Judy is wearing her “Have Yourself A Merry Little Christmas” gown from Meet Me In St. Louis.



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December 7, 1945:  This wonderful two-page spread appeared in the Swedish “Allas Veckotidning” publication promoting The Clock.

Scan provided by Kim Lundgreen.  Thanks, Kim!

Check out The Judy Room’s Filmography Pages on The Clock here.



December 7, 1953:  Judy pre-recorded “It’s A New World” for A Star Is Born from 11 a.m. – 1 p.m.  Afterward, she began filming scenes on the “Interior Makeup Dept.” and “Interior Television Commerical” (puppet show) sets.  Filming was finished at 5 p.m.

Check out The Judy Room’s Extensive Spotlight on A Star Is Born here.

Listen to “It’s A New World” here:

Mono/Stereo Edit:

Alternate Take:

Orchestrations:

Some photos were provided by Kim Lundgreen. Thanks, Kim!



December 7, 1962:  Judy’s appearance on the Jack Paar show, taped on December 2, 1962, at Rockefeller Center in New York City, aired on this night on the NBC Network.  The show has become one of Judy’s most famous television appearances.  Appearing with Judy was Robert Goulet, her co-star in the recently released animated musical Gay Purr-ee.

This appearance was so successful that it led to the biggest deal of Judy’s career, which would be signed at the end of the month, her contract with CBS for her series, “The Judy Garland Show.”

Watch Judy sing “Little Drops Of Rain” and “Paris Is A Lonely Town” below.  Unfortunately, I don’t have a good-quality copy of all of Judy’s appearances (including her wonderful chat with Paar), but once I do, I’ll be sure to share it here.

Check out The Judy Room’s Filmography Page on Gay Purr-ee here.






2 comments

  1. Thanks so much for posting the Paar clips. OMG she was something when she was happy, and Paar pushed all the right buttons with her. Hope they do somehow someway someday come out with a remastered video of the complete episode. It’s not too much to hope for!

    BTW the Paar/Judy caricature, reminiscent of Hirschfeld, leaves much to be desired. It looks mors like Suzanne Pleshette than Judy!

    1. I have a murky copy, but it’s so horrible by comparison. Here’s hoping I can find a good copy of the rest.

      And I agree – that caricature is not good! Judy’s just a bit too bug-eyed. 🙂

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