Posted by “With the firm conviction that she wanted to be a motion picture actress, Judy Garland walked onto the [MGM] lot one day and announced to all and sundry that she was looking for a job. she got it. She was twelve years old at the time.” – From the fictional story of how Judy got her MGM contract which was sent out to newspapers by the studio, 1937
December 24, 1924: “The Grand Rapids Herald-Review” announced the upcoming debut of Baby Frances Gumm (Judy) in her parent’s show at her father’s theater, “The New Grand Theater” in Grand Rapids, Minnesota. The paper noted the appearance of “Baby Frances, two years of age. The debut happened on December 26, 1924.
December 24, 1925: “The Gumm Sisters” (Judy and her sisters) performed at the father’s theater, “The New Grand Theater” in Grand Rapids, Minnesota.
December 24, 1931: Scott Schechter’s book, “Judy Garland – The Day-by-Day Chronicle of a Legend” lists Judy (as Frances) being a part of “Maurice L. Kusell’s All-Star Kiddie Revue” at the Warner Brothers Downtown Hollywood Theater, in Hollywood, California, and singing with Jess Stafford and His Orchestra. However, on December 20th a very detailed blurb (see above left) noted that Judy would be at the Warner Brothers Theater in Hollywood as “Baby Gumm,” not “Frances,” and lists her as being from the Kusell studio but not any Kusell show. The rest of the ads for the week only list Stafford and various vaudeville programs (see above right) with just one listing an “All-Star Kiddie Revue.”
“Baby Gumm” wasn’t listed in any of the advertisements although a very interesting sounding kid was, at least for the first two nights of the week, “Four Year Old Jackie Merkle – The Mental Marvel.” That sounds like the kind of act about which Judy would make a hysterical story to tell later, and maybe she did but it just was never captured on camera.
December 24, 1937: In theaters over the holidays, Broadway Melody of 1938 and Thoroughbreds Don’t Cry.
December 24, 1940: Judy appeared on “The Pepsodent Show Starring Bob Hope” on NBC Radio. Judy sang “Silent Night.” It’s also noted (but not verified) that Judy sang “I’m Nobody’s Baby,” “It’s A Great Day For The Irish,” and “FDR Jones.”
In theaters, Little Nellie Kelly. Also published was a note about MGM negotiating the rights to “Strange Things Can Happen in Brooklyn” as a vehicle for Judy.
Check out The Judy Room’s Filmography Pages on Little Nellie Kelly here.
December 24, 1941: The Film Daily trade paper carried this two-page ad promoting the upcoming new Judy Garland and Mickey Rooney musical, Babes on Broadway.
December 24, 1942: For Me And My Gal was still a hit in theaters. Here are two reviews and advertisements for the film’s upcoming engagements in Havre, Montana, and Binghamton, New York.
Check out The Judy Room’s Filmography Pages on For Me And My Gal here.
December 24, 1943: Judy appeared on the two-hour CBS Radio program “Christmas Variety Show” with a slew of other stars including Bing Crosby, Bob Hope, Carmen Miranda, Lena Horne, Cass Daily, Jack Benny, and more. No recording of the show is known to exist.
December 24, 1943: Judy had two big hits playing around the country: Thousands Cheer and Girl Crazy.
Check out The Judy Room’s Filmography Page on Thousands Cheer here.
Check out The Judy Room’s Filmography Pages on Girl Crazy here.
December 24, 1944: Judy participated in the “Command Performance All-Star Christmas Show.”
The two-hour extravaganza featured many stars of the day giving their all for the troops overseas. The emcee was Bob Hope, the stars were: Xavier Cugat, Jerry Colonna, Virginia O’Brien, Spike Jones, Ginny Simms, Jimmy Durante, Dinah Shore, Jack Benny, Fred Allen, Kay Kyser, Frances Langford, Dorothy Lamour, Johnny Mercer, Danny Kaye, W.C. Fields, Spencer Tracy and of course, Judy Garland!
Judy got to solo on “The Trolley Song” and “Oh Come All Ye Faithful.” The latter was part of a long medley of Christmas carols performed by Dinah Shore, Judy, Ginny Simms, Virginia O’Brien, Dorothy Lamour, and Frances Langford. All of these ladies sing “Silent Night” in the finale
Listen to the entire show:
Listen to “The Trolley Song” (intro by Bob Hope) here:
Listen to “Oh Come All Ye Faithful” (intro by Dinah Shore) here:
Listen to “Silent Night” (Judy, Dinah Shore, Ginny Simms, Virginia O’Brien, Dorothy Lamour, and Frances Langford) here:
Photos: Judy with W.C. Fields, Fred Allen, Dinah Shore, and Danny Kaye; Judy with Danny Kaye, Dorothy Lamour, and director Mervyn LeRoy
December 24, 1944: Hedda Hopper’s latest column was on the topic of fantasy films and how they’re always welcome.
December 24, 1944: This photo of Judy wrapping a present was one of many promotional photos sent out by MGM (and other studios) to promote the holiday season and their big stars. Judy is in costume for The Clock as this photo was taken on the set of the film.
I haven’t seen any high-quality versions of this image, and don’t you wonder what (if anything) was in that package? I say “if anything” as this was a posed photo strictly for promotional purposes.
Check out The Judy Room’s Filmography Pages on The Clock here.
December 24, 1944: In the curio department is this blurb about Judy being shot between the eyes – figuratively of course!
Check out The Judy Room’s Spotlight on Presenting Lily Mars here.
December 24, 1945: Judy made the list of the highest-paid stars in Hollywood.
December 24, 1945: M-G-Mistletoe! From the trade magazine “Film Daily.”
December 24, 1949: Movie fans had the chance to enjoy The Wizard of Oz over the holidays, thanks to the recent (and first) theatrical re-release. It was a great holiday movie choice – and still is.
MGM humorously created an ad campaign, including the trailer above, marketed toward adults and their irritable spouses.
Check out The Judy Room’s Spotlight on The Wizard of Oz here.
December 24, 1952: Radio station KWNO out of Winona, Wisconsin, broadcast albums all day in celebration of Christmas Eve. Decca’s “Christmastime” album, which included two Garland songs, was part of the lineup. Radio stations playing records was nothing new, and this is not unusual, but it’s a fun ad.
Check out The Judy Room’s “Judy Garland – The Concert Years” here.
December 24, 1954: A Star Is Born made for a great holiday movie, in spite of the recent cuts which are addressed in the review above. It turns out that people still wanted to see the full version they had heard so much about.
Check out The Judy Room’s Spotlight on A Star Is Born here.
December 24, 1954: This notice in the trade magazine “Motion Picture Herald” notes that A Star Is Born was scheduled to premiere in Europe in London in February 1955.
December 24, 1961: Here’s a treat for TV viewers in La Crosse, Wisconsin. The local TV station repeated the December 10th broadcast of The Wizard of Oz as a Christmas gift for its customers. This is a good example of the random broadcasts that fans who were children at this time remembered in later years, “I distinctly remember seeing the film at Christmas.”
Check out The Judy Room’s Spotlight on The Wizard of Oz here.
December 24, 1963: CBS execs were mum about rumors that the 26th episode of “The Judy Garland Show” would be the last. In fact, it was the last.
Check out The Judy Room’s “Judy Garland – The Concert Years” here.
December 24, 1968: The news about the announcement of Judy’s upcoming marriage to Mickey Deans swept the papers.
Check out The Judy Room’s “Judy Garland – The Concert Years” here.
December 24, 2021: The holiday lineup on the Turner Classic Movies TV network in 2019, 2020, and 2021.
A couple of “Wows!” I’ve never heard Judy’s lovely version of “Come All Ye Faithful” before. Also, while I have several different pictures of that “Lily Mars” photo shoot, I’ve never seen that particular pic. Judy looks so lovely there, and I’m (apparently) in the minority that Van Heflin was one of her sexiest co-stars. I thought they had great chemistry. Talk about a film that needs a serious restoration (which will probably never happen).
Lauren Bacall once stated that Judy’s losing the “Star” Oscar is something she never recovered from, and was partly responsible for her early death. I disagree, and feel the cancellation of her TV series is what finally did her in. She was never the same.
Mickey Deans: Have to admit that’s one of the better pictures of Judy from that horrid year, 1968. As sick and broke as she was, she was mad about him and, for a while, she seemed to look much better (until her wedding day and the months after).
Merry Christmas to you!!
Merry Christmas to you too!
Wouldn’t it be great if they did a real restoration of Lily Mars? Sigh. Maybe when the Warner Home Video’s Classics Division gets some new, young and excited leadership the malaise that’s enveloped them will go away. They’re sitting on a goldmine of material (not just Judy) but they’re content with simply reissuing past releases… 🙁
I think Bacall was wrong, but then again Bacall was part of the inner circle and certainly would have greater insight than me. I think Judy never got over the disappointment but I don’t think it contributed to her early death. The drugs did that, and the fact that she didn’t take care of herself in those last couple of years. It’s so sad.
Still, the gifts she left us are all treasures and thank the heavens we have them! 🙂
Lauren was partially correct, as much as Judy just realised that Hollywood was not prepared to pay homage to a woman who was loved – yet so wary of. She drove people crazy with her behaviour – even her friends and colleagues were not willing to work with her. In “Star” – she angered the top echelon of Warners. Did she deserve the Oscar? Yes. But remember who vote for them – her peers, who were so annoyed with her.
The tv series failure was somewhat similar. She annoyed people, she performed brilliantly – but at huge costs – finacnially and personally – to her colleagues. Even ignoring Mel Torme’s book, she was dire to work with.
Her marriage to Deans? It most likely was best she was on medication at that time – he was a ghastly choice – but no one could stop her. He gae her a slim sense of happiness and purpose in her last months. Who are we to judge?
Have you heard anything else about the “Strange Things Happen in Brooklyn” title? It was probably just MGM trying to keep her name in the paper.
Nope. I only know what’s been published in the papers in late 1940 and early 1941, which isn’t much. It was common for MGM’s publicity department to send out blurbs like the one shown where when a book or play had been purchased by the studio.