“Judy is an appealing and wonderfully sweet person when she is not harassed by worry and fear. Now that all those unhappy, haunting fears seem to have vanished she is exactly the Judy I knew so long ago.” – Louella Parsons, 1951

November 17, 1933: Born on this day, the one and only Toto! Actually, Toto’s real name was Terry. She was a Cairn terrier who was adopted by trainer Carl Spitz and turned out to be quite the little actress. In addition to The Wizard of Oz, she also made an appearance in another 1939 classic, The Women, as well as many other films during her lifetime. She died on September 1, 1945, and was buried at Spitz’s ranch. Unfortunately, her grave was destroyed when the Ventura Freeway was built in 1958.
On June 18, 2011, Terry was memorialized at the Hollywood Forever Cemetery in Los Angeles, California, with a wonderful statue and dedication.
Check out The Judy Room’s Spotlight on The Wizard of Oz here.
November 17, 1935: Judy’s father, Frank Gumm, died of spinal meningitis. He had entered the hospital the day before, and they placed a radio in his room so he could hear Judy’s appearance on the “Shell Chateau Hour,” in which she sang a very passionate “Zing! Went The Strings Of My Heart.”
Judy referred to the loss as “the most terrible thing that ever happened to me in my life.” She also stated that she felt that no one was “on her side” after his death. She was very close to her father, and he reciprocated with unconditional love and support. It’s been speculated ever since just how, or if, Judy’s career might have been different if Frank had lived. Perhaps he would have been able to shield her from the grind at MGM when she was overworked several years later. No one will ever know.
The Pierce Brothers Westwood Village Memorial Park & Mortuary handled the funeral arrangements. The obituary above is from the November 19, 1935 edition of The Tennessean newspaper out of Nashville. The only notice in the LA Times is a simple listing of Frank’s name along with the other recent deaths in the area.
November 17, 1938: This set still was taken on this day. Filming on The Wizard of Oz resumed on November 15, after a short break to have the Tin Man’s costume appropriately “rusted.” Three days worth of shooting the initial meeting with the (shiny) Tin Man were scrapped, and the costume was effectively “rusted.” The mistake cost the production an estimated sixty thousand dollars. The sequence, from the initial meeting to “If I Only Had A Heart” to the threats by the Wicked Witch of the West to “We’re Off To See The Wizard,” was shot from November 15 through November 19.
November 17, 1939: Judy’s mom, Ethel, married William Gilmore. By all accounts, Judy did not like her new stepfather and the two did not get along. Allegedly Judy never forgave her mother for marrying Gilmore on the anniversary of the death of her beloved father, Frank Gumm.
This article was also published on this day about how popular Judy and Mickey Rooney were in Babes in Arms. So much so that audiences wanted to see more of the team in similar musicals; they got their wish!
November 17, 1940: Two items. Judy is seen in the weekly “Hollywood Off Guard” photo page. The exact venue is unknown. She’s wearing the same floral chiffon dress she posed in for promotional photos (shown above). The second item is Hedda Hopper’s chat with director Norman Taurog, who talks about youngsters wanting a career in Hollywood, and of course, Judy, whom he recently directed in Little Nellie Kelly.
Check out The Judy Room’s Filmography Pages on Little Nellie Kelly here.
November 17, 1941: That terrific twosome, Judy Garland and Mickey Rooney performed the radio version of the popular “Merton Of The Movies” story (the film starred Red Skelton) on “The Lux Radio Theater” broadcast by CBS Radio and hosted by Cecil B. DeMille.
Listen to the following from the show:
Judy’s rendition of “The Peanut Vendor”
Judy and Mickey premiere the new song “How About You” (from Babes on Broadway)
The entire broadcast:

November 17, 1943: Judy had more rehearsals of “The Trolley Song” and “Skip To My Lou” for Meet Me In St. Louis. Time called: 11:30 a.m.; dismissed: 4:50 p.m.
Check out The Judy Room’s Spotlight on Meet Me In St. Louis here.

November 17, 1943: This ad from “The Philadelphia Enquirer” notes that Judy and Mickey Rooney’s latest (and final) costarring musical, Girl Crazy, was going to open the next day (November 18th). However, the film actually didn’t premiere until November 26th. It could be a misprint by either the paper or the theater.
Check out The Judy Room’s Filmography Pages on Girl Crazy here.
November 17, 1944: The Clock filming continued on the “Exterior NY Street-Flat Tire” set, which was the “New York Streets” section of MGM’s Backlot #2. Time called: 10 a.m.; dismissed: 5:55 p.m.
For more about the locations on MGM’s backlots where Judy’s films were shot, check out The Judy Room’s Extensive “Judy Garland on the MGM Backlot” section.
Check out The Judy Room’s Filmography Pages on The Clock here.
November 17, 1947: Judy and co-star Fred Astaire pre-recorded the “Vaudeville Montage” for Easter Parade. Time called: 10 a.m.; time dismissed: 5:55 p.m. Judy’s co-star, Fred Astaire, was also in the recording studio and pre-recorded “Happy Easter.”
Listen to the “Vaudeville Montage” here:
Listen to “Happy Easter” (Fred Astaire solo) here:
Check out The Judy Room’s Extensive Spotlight on Easter Parade here.
November 17, 1947: Here is an early notice about Judy being in the running to play “Annie” in the film version of Irving Berlin’s Broadway hit, “Annie Get Your Gun.”
Check out The Judy Room’s Annie Get Your Gun Filmography Page here.
November 17, 1948: A second busy day in a row for Judy on the MGM Recording Stage for the production of In the Good Old Summertime. She pre-recorded: “Play That Barbershop Chord” (with The King’s Men); “I Don’t Care”; and the unused “Finale/In The Good Old Summertime” (also with The King’s Men and co-star Van Johnson). Van Johnson also pre-recorded his short opening of “Put Your Arms Around Me, Honey” with Roger Edens at the piano. The bulk of the song (Judy’s vocal) was pre-recorded the previous day (November 16th).
Listen to “I Don’t Care” here:
Listen to “Play That Barbershop Chord” here:
Listen to the outtake “Finale” here:
Check out The Judy Room’s Filmography Pages on In The Good Old Summertime here.

November 17, 1951: Louella Parsons’s latest column reports on how Judy is looking altered and years younger. However, the paper chose to feature Linda Darnell next to the articles. When people first glanced at the headline and photo, they probably thought for a split second, “Wow, Judy’s glamorized!” Regardless, it’s a nice article and flattering to Judy.
Check out The Judy Room’s “Judy Garland – The Concert Years” Section here.

November 17, 1953: The second of three days of filming on the “Exterior Rooming House and Roof” and “Exterior Oleander Arms” locations for A Star Is Born. All of this was on location in Los Angeles. Time started: 10:00 a.m.; finished: 5:30 p.m.
Check out The Judy Room’s Extensive Spotlight on A Star Is Born here.

November 17, 1959: Judy was the “Guest of Honor” at a party for Aly Kahn given by the legendary Elsa Maxwell at the Drake Hotel in New York City. There are no extant photos or recordings from this event. The photo above is a snapshot of Judy taken in 1959.
Check out The Judy Room’s “Judy Garland – The Concert Years” Section here.
November 17, 1963: “Episode Three” of “The Judy Garland Show” premiered on CBS-TV. Judy’s guests: Liza Minnelli, the Brothers Castro, and Soupy Sales, plus regular Jerry Van Dyke.
Judy sang: “Liza,” “Come Rain Or Come Shine,” “Together” (with Liza), a medley of “We Could Make Such Beautiful Music Together”/”The Best Is Yet To Come”/”Bye, By Baby”/”Bob White (Whatcha Gonna Swing Tonight),” “As Long As He Needs Me” (in the “Born In A Trunk” segment), and, as a closer, Judy and Liza singing “Two Lost Souls” followed by “I Will Come Back.” Judy also performed a brief sketch with Soupy Sales.
The show was taped on July 16, 1963.
Check out The Judy Room’s “Judy Garland – The Concert Years” Section here.


Also, on November 17, Judy called President Kennedy at the White House, as indicated in this White House telephone memorandum. Judy called at 8:25 a.m. local time, meaning it was 5:25 a.m. in California, where Judy was calling from. It’s unknown if Judy was able to speak to JFK. A number is given, which indicates that she left her callback number. Just five days later, JFK was assassinated. Judy and JFK were good friends, and it’s well-known that she would call him to chat and sometimes seek advice. He usually asked her to sing the last few bars of “Over the Rainbow” to him before they ended their calls. His assassination devastated Judy.
Check out The Judy Room’s “Judy Garland – The Concert Years” Section here.
November 17, 1968: Judy performed at the ASCAP Salute to Harold Arlen, Vincent Youmans, and Noel Coward at New York’s Lincoln Center.
Judy was in fine form and sang “The Man That Got Away,” “It’s A New World,” “Get Happy,” and “Over the Rainbow.”
Listen to the entire performance here:
Check out The Judy Room’s “Judy Garland – The Concert Years” Section here.
November 17, 2017: Julien’s Auctions held a huge Garland auction, chiefly comprised of amazing items from Michael Siewert’s collection.
PDF of the Garland items in the catalog.
PDF of what the items sold for.

