“Miss Garland, with an expert demonstration of a rather startling naivete, carries a role none too substantial.” – “The Minneapolis Tribune” on “The Harvey Girls,” 1946
February 24, 1934: “The Gumm Sisters” (Judy and her sisters), billed as “The Three Glumm Sisters” performed at the Mt. Baker Theater in Bellingham, Washington.

February 24, 1938: “Variety” announced that Judy would star in MGM’s upcoming production of The Wizard of Oz. The notice appeared on page 3 of the paper.
Check out The Judy Room’s Spotlight on The Wizard of Oz here.

February 24, 1939: Listen, Darling (released in 1938) showing in New South Wales, Australia.
February 24, 1939: Here’s another article with almost zero truth about Judy’s life, but typical of the era. They even have her being born in Grand Rapids, Michigan.
February 24, 1939: Here are two fantastic documents that give details about the “house falling” effect in The Wizard of Oz. This is the shot of the house falling into the camera, which was filmed by dropping a model house onto the floor of a soundstage that was painted to look like clouds. The film was then run in reverse to achieve the effect of the house falling “into” the camera.
The estimated cost for this simple effect was $3,500. The actual cost was $2,831.18 (in 1939 dollars).
Robert Welch provided scans of the documents. Thank you, Robert!
Check out The Judy Room’s Spotlight on The Wizard of Oz here.
February 24, 1939: Although the premiere of The Wizard of Oz was months away and much work still needed to be done, MGM was already releasing a couple of photos and some stories, plus alleged reports from the set.
Included is what is probably the first printing of the story about Frank Morgan discovering the coat he was wearing as part of his Professor Marvel costume had once belonged to Oz author L. Frank Baum. In his “The Truth Is So Strange” column, United Press correspondent Frederick C. Othman wrote that the press agent for the film, Mary Mayer, tried to tell the story to newspaper correspondents, but they wouldn’t believe her.
The story about the use of gelatin powder to give “The Horse of Different Color” its color and the horses licking it off between takes was also published at this time.
Check out The Judy Room’s Spotlight on The Wizard of Oz here.
February 23, 1940: Here is some feedback on Babes in Arms (released in 1939) in the “What the Picture Did For Me” section of the latest issue of the trade magazine “Motion Picture Herald.”

February 24, 1940: This photo was snapped of Judy enjoying a bounty of food at an unknown event in Hollywood. Obviously, this wasn’t taken anywhere near MGM Studios!
February 24, 1941: Judy had a short recording session for Ziegfeld Girl. She recorded a new ending to the “Minnie From Trinidad” number, 47 & 48-second takes. The rest of the song had been prerecorded on January 14th and filmed on January 18th.
Here is the original ending (with an assist from Tony Martin):
Here is the final ending:
Check out The Judy Room’s Spotlight on Ziegfeld Girl here.
February 24, 1942: Another day of dance rehearsals for Judy and Gene Kelly for For Me And My Gal. Time called: 1:00 p.m.; dismissed: 5:00 p.m.
Page from the magazine “Hit Parader” above provided by Kim Lundgreen. Thanks, Kim!
Check out The Judy Room’s Filmography Pages on For Me And My Gal here.
February 24, 1944: Meet Me In St. Louis filming consisted of more scenes on the “Exterior Backyard – Winter” set, both day and night sequences. It’s unclear if the scenes were John and Esther’s love scene or the snow people scene with Margaret O’Brien. Shown here are screenshots of both.
Judy had a 10 a.m. call. The assistant director’s notes state: “At 9:23 Miss Garland’s mother phones; Judy was feeling ill but had left for studio anyway. 9:35 arrived thru gate. At 9:45 call came from her dressing toom Miss Garland lying down ill and makeup not started. At 10:02 Mr. Freed and Mr. Friedman phoned from dressing room: Judy would be on set in twenty minutes – on set 10:50 – getting dressed till 10:58. Ready on set at 10:58.” The company was dismissed at 5:45 p.m.
Check out The Judy Room’s Spotlight on Meet Me In St. Louis here.
February 24, 1945: This two-page spread promoting Meet Me In St. Louis and other MGM films appeared in the trades.
On this day at MGM, filming continued on The Harvey Girls with scenes shot on the “Interior Alhambra” set. Time called: 3:00 p.m.; Judy was on time; dismissed: 6:10 p.m.
Check out The Judy Room’s Spotlight on Meet Me In St. Louis here.
Check out The Judy Room’s Filmography Pages on The Harvey Girls here.
February 24, 1946: Here’s a short piece of fluff that compares the career and life paths of Judy and Deanna Durbin. Judy was by far the bigger box office draw of the two at this point, but Deanna was still quite popular. Not surprisingly, there are some errors in the article, such as the ages of the girls in the photos and the unnamed author referring to For Me And My Gal as a “straight drama,” which could be a reflection of how well the dramatic scenes in that film played and the author’s recollection of them.
February 24, 1946: Here’s a review of The Harvey Girls from the “Minneapolis Star Tribune.” Also shown is an ad for the Decca Records “Cast Album” of songs from the film from Rochester, New York, plus two newspaper clippings.
Check out The Judy Room’s Filmography Pages on The Harvey Girls here.
February 24, 1952: Judy ended her Palace engagement, having played there for a record-breaking nineteen weeks and 184 performances, grossing nearly $800,000. To satisfy the demand for tickets, Judy played 11 shows in the last week, grossing $54,000 and breaking her own record at the box office. At the end of the night, the audience sang “Auld Lang Syne” to her. Her heartfelt reaction is shown in the two photos above.
This last performance was recorded and released on LP and CD. Download the concert here (zip file).
BONUS: Two recordings from Judy’s Palace tour, exact dates unknown.
“After You’ve Gone”
“Over The Rainbow”
Check out The Judy Room’s “Judy Garland – The Concert Years” here.


February 24, 1954: A Star Is Born filming consisted of the scene on the “Interior Norman’s Car” set. Time started: 10 a.m.; finished: 5:40 p.m.
Check out The Judy Room’s Spotlight on A Star Is Born here.
February 24, 1955: Judy received the Golden Globe Award for “Best Actress in a Motion Picture – Musical or Comedy” for A Star Is Born. Her co-star James Mason won in the same category for Actor. The awards were given out in a ceremony at the Cocoanut Grove at the Ambassador Hotel in Los Angeles, California.
Judy sat next to Marlon Brando and Edmond O’Brien and is seen being congratulated by Rock Hudson and chatting with Jerry Lewis. She was very pregnant at the time with her son Joe Luft (born on March 29, 1955).
Check out The Judy Room’s Spotlight on A Star Is Born here.
February 24, 1961: Two ads for Pepe, which was released on December 20, 1960. Judy wasn’t in the film, but her voice is heard during a scene in which Shirley Jones and Dan Dailey dance. The song “The Far Away Part Of Town” was recorded by Judy in April 1960. It went on to be nominated for an Oscar for “Best Song” of 1960.
Listen to “The Faraway Part of Town” here:
February 24, 1965: Judy was happy again, according to columnist Earl Wilson. She was waiting for her divorce from Sid Luft to become official so she could marry Mark Herron. She joked about being sued, “They should call me ‘Sweet Sued’ because I’m always being sued. I’ve been in more courtrooms than I’ve been on the stage, and I, not Louis Nizer, should have written ‘My Life in Court.'”
Check out The Judy Room’s “Judy Garland – The Concert Years” here.





