On This Day In Judy Garland’s Life And Career – May 10

Posted by

“My voice comes from my stomach, and it’s loud.” – Judy Garland, 1958

May 10, 1931:  Judy and her sisters, “The Gumm Sisters, ” were in rehearsals for Maurice Kusell’s all-child revue titled “The Stars of Tomorrow” when they were mentioned a second time (the first time was April 12, 1931) in the Los Angeles Times as one of the show’s main attractions.  The title of the show was right for at least one participant.  The show opened at the Wilshire-Ebell Theater in Los Angeles on July 10, 1931.

Also on this day they performed at the Auxillary American Legion Show at the Veteran’s School Auditorium in San Fernando, California.

The Gumm Sisters were featured in three song and dance numbers including “Puttin’ On The Ritz” in which they played “Harlem Crooners,” “Garden Of Beautiful Flowers,” in which they played “gardenettes,” and “Floatin’ Down The Mississippi.”  Judy was also featured in two solos (the names of which are unknown), and teamed with Miss Betty Jean Allen for “A Plantation Melody.”  The girls’ mom, Ethel, directed the show’s eight-piece orchestra.

May 10, 1933:  “The Gumm Sisters, along with Clark Williams, performed at the Antelope Valley Joint Union High Promenade at the Lancaster High School, Lancaster, California.  This show might have happened on May 12th, the information is unclear.

May 10, 1938:  Here’s another printing of the mostly fictional column by Paul Harrison, focusing on Judy’s diet.  The strict diet wasn’t fiction.  Harrison quotes Judy as saying the following about her diet while eating in the studio commissary, “Everybody in the restaurant is watching to see that I don’t snitch an extra dessert or something.  At least I feel that everybody’s watching.  Maybe it’s my own conscience.”

May 10, 1939:  MGM production notes for Babes in Arms show that Judy had rehearsals of the “Opera Vs. Jazz” and “Rock-A-Bye-Baby” numbers although the latter is not in the film and no recording is known to have survived.  Records also show that Judy was on the set at 11:30 a.m.; lunch from 1 – 2 p.m.; and was dismissed at 6:00 p.m.

Check out The Judy Room’s Filmography Page on Babes in Arms here.

May 10, 1940:  Recording session for Andy Hardy Meets Debutante.  Judy pre-recorded “Alone” and “All I Do Is Dream Of You.”  The latter was cut from the film. 

Scene #2008 “Alone” (Take 1)

Scene #2009 “Alone” (Reprise Take 2)

Scene #2010 “All I Do Is Dream Of You” (Partial Take 1)

Scene #2011 “All I Do Is Dream Of You” (Take 5)

Check out The Judy Room’s Filmography Pages on Andy Hardy Meets Debutante here.

May 10, 1941:  A few clippings.  The first (top left) features a photo of Judy and her mom, Ethel, in Judy’s dressing room at MGM, tying in Judy’s latest film, Ziegfeld Girl, with Mother’s Day.  The second is part of Jimmie Fidler’s column in which he reports Judy telling MGM studio boss L.B.  Mayer that she shouldn’t play a 13-year-old in the new “Hardy” film.  If the conversation ever really happened it didn’t make any difference.  Judy was already at work on her next, and final, appearance in a Hardy film, Life Beings For Andy Hardy.

The last is promotional artwork for Ziegfeld Girl.

Check out The Judy Room’s Spotlight on Ziegfeld Girl here.

May 10, 1941:  In the regular feature “What the picture did for me” as published by the trade magazine “Motion Picture Herald,” George Khattar of the Casino Theatre in Witney Pier, Nova Scotia, Canada has this to say about Strike Up The Band (released in 1940), “Very, very good.  Box office receipts poor but not the fault of the picture.  Another feature that MGM sold on percentage and lost the expense of a checker.  How can any exhibitor make money when such features don’t go in a small town?”  The other feature Khattar was referencing as doing poorly was New Moon, also from MGM.

May 10, 1942:  The weekly “Parade” newspaper insert’s “Spotlight on Starlets” included this fun description of Judy spending a day trying out costumes for For Me And My Gal.

May 10, 1943:  More filming for Judy and Mickey Rooney on location in Palm Springs for Girl Crazy, specifically scenes shot on the “Exterior Road to Station” “set” (not really a set, but a dirt road outside of town).  Time called: 9:00 a.m.; dismissed: 4:25 p.m.

Check out The Judy Room’s Filmography Page on Girl Crazy here.

May 10, 1945:  Judy had a rare three days off in a row from her work on The Harvey Girls.  Meanwhile both The Clock and Meet Me In St. Louis were in circulation around the country.


May 10, 1948:  MGM – Great in ’48! This two-page ad appeared in the “Independent Exhibitor’s Film Bulletin” trade magazine.

Check out The Judy Room’s Spotlight on Easter Parade here.


May 10, 1949:  A milestone day in the life and career of Judy Garland.

Judy had a 7:30 a.m. call for Annie Get Your Gun.  She contacted the assistant director to tell him that she had overslept, wasn’t feeling well, had a bad night, and didn’t know if she would be able to make it to the studio.  After chatting for 15 minutes, Judy felt better and said that she would make it to the studio but would be late.  At 8:30 a.m. Judy’s makeup artist, Dorothy Ponedell, called the assistant director to say that Judy would be in.  Judy called at 9:30 a.m. and told the assistant director that she would be in by 10:00 a.m.

Judy checked through the gate at MGM at 10:10 a.m. and went to her dressing room to be made up.  At 10:30 a.m. she called to say that she would be right down on the set.  At 11:18 a.m. she arrived on the set in her makeup but not in costume as she had a severe migraine and was unsure if she could complete the number (“I’m An Indian, Too”).  She rehearsed the dancing with Robert Alton who was staging and filming the dance numbers on the film.  11:55 – 12:55: Lunch.  1:15-1:30 p.m.: Just before returning to the set, Judy was handed a letter from L.K. Sidney, vice president of MGM, in her dressing.  The letter reprimanded her for being “responsible for delays” on the film – Judy refused to accept the blame when she had been telling the studio that Busby Berkeley (director of the film) was all wrong, which MGM finally agreed.  Judy actually got the front office to apologize for the letter, but by the time she returned to the set, the company had already gone home because the production was shut down at 2:10 p.m.

Later that afternoon Judy was removed from Annie Get Your Gun and placed on suspension.  The company was on layoff from May 11 through May 21, during which time the production was suspended until Betty Hutton replaced Judy on September 26th.

Check out The Judy Room’s Filmography Pages on Annie Get Your Gun here.

May 10, 1953:  Judy attended a golf tournament at White Sulphur Springs, West Virginia, socializing with the Duchess of Windsor and Bob Hope.

May 10, 1956:  The first official portraits of Judy with her one-year-old son, Joe Luft, hit the papers.  Judy is, naturally, glowing with love for her son.

Check out The Judy Room’s “Judy Garland – The Concert Years” here.


May 10, 1958:  Judy returned to her home state of Minnesota to participate in the state’s Centennial Celebration (which she performed at the following day).In this photo, Judy is attending the commemorative dinner the night of May 10th, singing “The Star-Spangled Banner.  Front row, from left:  Lt. Gov. Karl Rolvaag, Garland, and Robert Snook, a centennial organizer.  Back row, from left:  Judge Luther Youngdahl, Mrs. James L. Morrill and University of Minnesota President James L. Morrill, and Eleanor Pillsbury. Newspaper reports state that Judy left the dinner early, before the main course was served, due to laryngitis.

[The Minneapolis Star Tribue, May 10, 1958]

Judy Garland Comes Home From Somewhere Over the Rainbow
Women’s Editor

Judy Garland Comes Home From Somewhere Over the Rainbow - May 10, 1958 Minneapolis, MNJudy Garland – of the brown velvet eyes and the blue velvet voice – is back home in Minnesota today.The Grand Rapids-born singer who grew up in the movies will appear at the Minnesota Centennial re-dedication program at 2 p.m. Sunday in Memorial Stadium.“I’M VERY proud to be invited to this,” Miss Garland said on arrival Friday night.  “I’ve never been on a program with royalty and diplomats before.”Miss Garland was wearing a vivid red sac dress topped by a white fur-trim coat.“I’m the only person I know who really fills up the sack,” she said grinning.  “I’m so short that every pound shows.”

Miss Garland is one inch over five feet tall.  She was wearing red satin shoes with teetering-tall heels.

POSING for photographers, Miss Garland lifted her head and patted her chin, saying to herself, “Get it up, get it up.”

Despite her quips, however, Miss Garland likes the new sack look and chemise.  She doesn’t like trapeze dresses.“And those balloon things look like something out of ‘Around the World in 80 Days,” she said.Although plump, Miss Garland believes she sings better that way.

My voice comes from my stomach,” she said, “and it’s loud.  That’s why I can’t eat anything but a little broth before going on.”“But I always eat after the show.”

SUNDAY, Miss Garland probably will sing her favorite, “Over the Rainbow.”  She’s also planning to do a new song for her, Harold Arlen’s famous “When the Sun Comes Out.”Miss Garland was accompanied by her husband, producer Sid Luft; her secretary, Ricky Ricardi, and was met by her conductor, Buster Davis.

She is expected to ride in today’s parade and attend the Centennial dinner for VIP guests tonight in Pick-Nicollet hotel.

Check out The Judy Room’s “Judy Garland – The Concert Years” here.

May 10, 1961:  Judy returned to Houston, Texas, performing at The Sam Houston Coliseum.  9,400 people attended the event.

The video featured below was taken at Judy’s February 23, 1961, concert in Houston at the City Auditorium, giving us an idea of what the show was like.

Hedda Hopper headlined her latest column with the news that director Charles Walters wanted Judy to star in an adaptation of “By The Beautiful Sea.”  It’s just one of the many film projects Judy was allegedly wanted for.  Check out The Judy Room’s “Films That Got Away” section for details about this and other film projects that never happened.

Check out The Judy Room’s “Judy Garland – The Concert Years” here.


May 10, 1962:  This call sheet for I Could Go On Singing (still titled The Lonely Stage) shows Judy and co-star Dirk Bogarde were both due in makeup at 10:30 a.m. for makeup tests.  Their young costar, Gregory Phillips, had a 2 p.m. call for a stills session at the stills studio.

Scan provided by Kim Lundgreen.  Thanks, Kim!

Check out The Judy Room’s “Judy Garland – The Concert Years” here.

May 10, 1963:  Judy gave a “mini-concert” for the CBS affiliates and executives at New York’s Waldorf-Astoria Hotel.  She opened with a parody of the song “Call Me Irresponsible” (poking fun at her reputation as production on her new series was about to begin).

The photo on the left shows Judy with CBS technical director John Pumo at the event.  The color photo is a snapshot of Judy in her street clothes after the event.

Check out The Judy Room’s “Judy Garland – The Concert Years” here.

May 10, 1966:  Judy attended Tony Bennett’s Cocoanut Grove opening (where she delighted in his singing “The Trolley Song”) and later spent time with him, and her new escort Tom Green (seen here arriving at the Grove with Judy), at Eddie Fisher’s where they “talked the biz until dawn.”

Check out The Judy Room’s “Judy Garland – The Concert Years” here.

The 1970 MGM Auction - Judy Garland's Ruby Slippers and Gingham Dress

May 10, 1970:  The infamous MGM Auction continued to make headlines.  One article noted, “Liza Minnelli, daughter of the late Judy Garland, has made an incognito visit to the sound stages and is expected to bid on the gingham dress and ruby slippers worn by her mother in ‘Wizard of Oz.'”

May 10th was “Day 8” of the auction and was a continuation of the multi-day sale of “Antiques and Furniture” used in so many of the films.  The sale of Judy’s Ruby Slippers from The Wizard of Oz was still a few days away.

May 10, 1972:  Another installment from the recently published book, “Weep No More My Lady,” written by Judy’s last husband, Mickey Deans.


May 10, 2014:  This article was published in the Sydney Morning Herald, focusing on Judy’s 1964 tour of Australia.  The article was written by Bill Farr and features several examples of his artwork.


Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.