On This Day In Judy Garland’s Life And Career – July 13

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“Her voice, I think, was the greatest in the first part of our century.  She went right through the bone and flesh into the heart.” – E.Y. Harburg, 1969




July 13, 1931 STARS OF TOMORROW The_Los_Angeles_Times

July 13, 1931:  Here’s a review of the current show at the Wilshire-Ebell Theater in Los Angeles, California, Maurice Kussell’s “Stars of Tomorrow.”  The show was an all juvenile revue that ran from July 10 through July 17, 1931.  Judy and her two sisters, as “The Gumm Sisters,” were a part of the show.  This review doesn’t mention them by name, but they were featured in three song and dance numbers including: “Puttin’ On The Ritz” where they played “Harlem Crooners,”; “Garden of Beautiful Flowers,” in which they played “gardenettes,”; and “Floatin’ Down the Mississippi.”  Frances (Judy) allegedly had two solos and was teamed with Miss Betty Jean Allen for “A Plantation Melody.”  Judy’s mom, Ethel, directed the show’s eight-piece orchestra.

Of all of the “Stars of Tomorrow” who performed in the show, only one was indeed a “star of tomorrow” and that was little Frances Gumm.



July 13, 1932:  Judy and her sisters, as “The Gumm Sisters,” rated a mention in this article about the Fox Dome Theater in Venice, California.  The theater launched a new policy of featuring stage shows “presenting big-time vaudeville” (the sisters were noted as “youthful harmonists”) and “Ralf” Pollock and his Fox Dome Orchestra.  All of this accompanied the latest film showing at the theater which was the main attraction.  This was the first of a three-night engagement at the theater for the sisters.



July 13, 1939:  Filming began on the “Finale” for Babes in Arms on the “Interior Madox Theatre” set, which was shot on MGM’s soundstages 5 & 6.

Soundstages 5 & 6 were connected, containing the only permanent indoor set on the lot, the “theatre set” originally built for 1925’s Pretty Ladies.  Stage 5 contained the seats and balconies, while Stage 6 contained the proscenium-arched raised stage.  Any film with a big theatre opening or other big theatre scenes was shot on these stages, including several of Judy’s films.  One of its last uses was for the 1977 film New York, New York starring Judy’s daughter, Liza Minnelli.

Check out The Judy Room’s Filmography Page on Babes in Arms here.



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July 13, 1940:  A long afternoon and evening for Judy, Mickey Rooney, and the rest of the cast of Strike Up The Band.  Filming on the “Finale” sequence on the “Interior Radio Theatre” set lasted from 1:00 p.m. to 11:33 p.m. Luckily, there was no call for the next day, so they didn’t have to get up early.  That we know of.

Check out The Judy Room’s Filmography Page on Strike Up The Band here.



July 13, 1940:  Here is another two-page trade ad placed by MGM in the “Motion Picture Herald” magazine, promoting their latest hits.

Check out The Judy Room’s Filmography Page on The Andy Hardy Series here.



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July 13, 1944:  Judy had a short rehearsal of “The Interview,” a.k.a. “A Great Lady Gives An Interview,” a.k.a. “Madame Crematante” for Ziegfeld Follies.  Time called: 4:00 p.m.; dismissed: 6:00 p.m.

Check out The Judy Room’s Filmography Page on Ziegfeld Follies of 1946 here.



July 13, 1948:  The first of a rare five days off for Judy.  She wasn’t on call for The Barkleys of Broadway or Words and Music.  Considering how much she was working at this point, it’s safe to assume she enjoyed the time off.  On this day, columnist Bob Thomas’ column was making the rounds of most papers in the country, which made note of Judy portraying Sarah Bernhardt in The Barkleys of Broadway.



July 13, 1948:  Easter Parade was proving to be not just a hit but a mega-hit for MGM.

Check out The Judy Room’s Spotlight on Easter Parade here.



July 13, 1949:  Two Judy Garland films were making the rounds in the summer of 1949, In The Good Old Summertime and the first re-release of The Wizard of Oz.  Shown here: An MGM ad in the trade magazine “Motion Picture Daily.”



July 13, 1951:  Judy was on the second day of a week-long engagement at the Hippodrome in Birmingham, England, when she received a surprise visit from daughter Liza.

Check out The Judy Room’s “Judy Garland – The Concert Years” here.



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July 13, 1954:  A Star Is Born filming continued with more shooting of the “Black Bottom” number on the “Interior Stage” and “Interior Backstage” sets, plus the “Rehearsal” sequence on the “Exterior Stage Door and Sign” set.  Time started: 6 p.m.; finished: 2 a.m.  The filming schedule had been moved to start later in the days/evenings to accommodate Judy’s body clock.

Check out The Judy Room’s Spotlight on A Star Is Born here.



July 13, 1955:  The Wizard of Oz was a success in its second theatrical re-release.  Meanwhile, A Star Is Born was still playing in some locations around the country.  In this instance, it was the feature at the local drive-in theater in Rochester, New York.  The Oz ads are also from Rochester, which is a good example of how in many markets audiences had the chance to see both.

Check out The Judy Room’s Spotlight on The Wizard of Oz here.

Check out The Judy Room’s Spotlight on A Star Is Born here.



July 13, 1962:  Judy completed filming on what would be her last film, I Could Go On Singing.  The film premiered in London on March 6, 1963.

Check out The Judy Room’s Filmography Page on I Could Go On Singing here.

Scans of the May 1963 “Screen Stories” article provided by Kim Lundgreen.  Thanks, Kim!



July 13, 1964 (date incorrect) DIVORCE 2

July 13, 1964:  This photo is dated from Judy’s appearance in a courtroom in Santa Monica, California, on this date, but she was actually in London, England, with Mark Herron.  Judy and her husband, Sid Luft, were arguing over custody of their two children.  The press reported that Judy was due back in court in Santa Monica on July 16th, but that would be postponed due to her being out of the country.

Check out The Judy Room’s “Judy Garland – The Concert Years” here.



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July 13, 1967:  This photo was taken of Judy on her third night of a five-night run at the Camden County Music Fair in Camden, New Jersey.

Check out The Judy Room’s “Judy Garland – The Concert Years” here.



July 13, 1969 TO JUDY Democrat_and_Chronicle (Rochester)

July 13, 1969:  Judy’s untimely passing was still news.  Many articles covered multiple aspects of her life and career.  Here is one with a great caricature that gives “Over the Rainbow” lyricist E. Y. Harburg’s take on why Judy’s life turned out the way it did.



July 13, 1975:  Nostalgia for Old Hollywood was big.  A year earlier, in the summer of 1974, That’s Entertainment! surprised everyone when it became a big hit.  The film also brought a renewed appreciation for Judy and her talents.  At the time, the MGM auction in 1970 was still stinging fans.  Mel Torme’s horrible Garland book had already been published, as had the one from her last husband, Mickey Deans.  However, the summer of 1975 gave us the first serious, comprehensive biography about Judy, “Judy” by Gerold Frank.  It’s still the only biography written with the full cooperation of Judy’s family.  Anne Edwards’ biography about Judy, “Judy Garland,” had been published before the Frank book, but it was the Frank book that got most of the attention.  The Frank book was so huge that, as late as 2001, the ABC miniseries “Life With Judy Garland” used a few passages, quoted verbatim, in the teleplay.

Rex Reed’s article published on this day is about the new wave of nostalgia, including Hugh Fordin’s fantastic book about the Freed Unit, “The World of Entertainment: Hollywood’s Greatest Musicals!” (later republished as “The Movie’s Greatest Musicals – Produced in Hollywood USA by the Arthur Freed Unit” and then “MGM’S Greatest Greatest Musicals – The Arthur Freed Unit”).  Reed claimed his favorite Garland book was Mel Torme’s hatchet job titled “The Other Side of the Rainbow,” which dealt with his time working on Judy’s TV series, “The Judy Garland Show.”  Reed based his opinion on the book being “written from first-hand knowledge without bias…”  He obviously didn’t know the real facts.  Torme’s book was written with a huge negative bias against Judy and an obvious vendetta to make her look as bad as possible.  Torme had some serious jealousy issues that needed to be addressed, and he exorcised some of them via the book.  He also got a lot of details wrong.  It wasn’t until 1990 when Steve Sanders’ definitive book about the series, “Rainbow’s End,” was published that the truth about the series and how hard Judy worked to make it a success was revealed.  It’s still highly recommended!





4 comments

  1. I know this was posted like two years ago but I just discovered this day by day thing in june. But I gotta say I Throughly enjoy it. Im

    1. Thank you! I’m glad you’re enjoying it. I am always updating the entries with new info and images, so keep checking back when you can. And if you find a typo or other error, feel free to let me know. 🙂

  2. Hello sir, ı’ve just discover your website. this is the best website in all over the world about judy garland. ı am gonna spend really long time here! many photos her, numerous articles about her life. just flawless.

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    have a lovely day!

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