“If you can get paid for [singing], you’re damned lucky!” – Judy Garland, 1965
July 15, 1929: “The Gumm Sisters” performed with the Meglin Kiddies troupe at the Elks Lodge in Ventura, California. No ads or lists of what was performed is known to exist.
July 15, 1934: The first engagement for Judy and her sisters, as “The Gumm Sisters,” at the World’s Fair in Chicago, Illinois. They appeared on “Guest Artist Night” at the Old Mexico Nite Club.
Beginning in mid-June, the sisters, along with mom Ethel, had traveled (and performed) across the country from their home in Lancaster, California, with the fair as their final destination. Their time at the fair (over a month) would prove fortuitous as they would receive a break and a name change. They also had some lovely portraits taken.
July 15, 1939: Judy entered into a new one-year contract with Decca Records. Her mom, Ethel, signed the contract (“Judy Garland by Ethel M. Garland”) because Judy was still a minor. The contract called for twelve songs to be recorded within the year, for which Judy would be paid a royalty advance of $250.00 per completed song. She actually recorded sixteen songs during this one-year period. Her royalty rate was as follows: if Judy had a song on both sides of a single, she would get two cents for each single (78) sold in the U.S. and Canada and 10 percent of the wholesale price in other countries; if Judy had only one song on one side of a single, she would get one cent per disc sold in the U.s. and Canada. She was also paid 50 percent of whatever Decca was paid for public performances or broadcasting. As far as what Judy would record, the contract states, “The Artist agrees to record such selections as Decca may choose within the Artist’s repertoire.”
Judy’s first contract with Decca was on August 30, 1937, which was after she had already recorded several singles for the label including her first big hit, “(Dear Mr. Gable) You Made Me Love You.”
Judy’s first recording session under this new contract occurred on July 29, 1939, at which time she recorded her first single, made for records version of “Over The Rainbow” along with “The Jitterbug,” “In-Between,” and “Sweet Sixteen.”
Of course, the contract signing wasn’t the only activity for Judy on this day. Rarely was she afforded a simple day. She, Mickey Rooney, and the rest of the cast of Babes In Arms continued filming the “God’s Country” number. Judy was on the set at 9 a.m.; lunch 12:30-1:30 p.m.; dismissed: 6 p.m.
Check out The Judy Garland Online Discography’s Decca Records Section for details about all of Judy’s Decca records and re-releases.
July 15, 1940: Filming on the “Finale” sequence for Strike Up The Band continued on the “Interior Radio Theatre” set. It was a long day. Judy was on the set at 9:00 a.m.; dismissed: 7:20 p.m. Judy must have taken a break in filming or perhaps filming on the sequence ended early because this costume test for Little Nellie Kelly was also taken on this day.
July 15, 1944: Judy recorded another appearance on the “Command Performance” radio show, which was put on disc and shipped overseas to play on the Armed Forces Radio Network for the troops. Judy was a popular guest on the program and always seemed to find the time to participate. Also on the program were Bing Crosby and The Andrews Sisters. Bing and Judy performed “The All-time Flop Parade” after which he joked and said to Judy, “Thank you, Judy, that was really lousy.”
Judy’s performance of “They Can’t Take That Away From Me” from this performance was replayed on the show’s December 25, 1944, broadcast.
Listen to and download “Long Ago And Far Away” here:
The recently remastered version of the song can be found on the JSP Records disc “The Best of Lost Tracks” (click on the link for purchase details).
During the day Judy continued rehearsals of “The Interview,” a.k.a. “A Great Lady Gives An Interview,” a.k.a. “Madame Crematante” routine for Ziegfeld Follies. Time called: 1 p.m.; dismissed: 5:20 p.m.
Photo provided by Kim Lundgreen. Thanks, Kim!
July 15, 1947: Filming on the “Be A Clown” number for The Pirate continued. It was a long session. Judy had a call to be on the set at 1 p.m.; she arrived at 2:45 p.m.; everyone was dismissed at 12:25 a.m. Thirty-three takes of five different camera setups were completed.
Photo: Director (and Judy’s husband) Vincente Minnelli, Judy, and Gene Kelly during a break in filming.
July 15, 1954: Judy pre-recorded “Melancholy Baby” for the “Born In A Trunk” sequence for A Star Is Born. Time started: 4:40; finished: 5:45 p.m. It didn’t take long for Judy to provide a usable take!
Listen to a couple of outtakes from this session here:
July 15, 1963: The taping of the dress rehearsal for “Episode Three” of “The Judy Garland Show” took place. Judy’s guests were her daughter Liza Minnelli, Soupy Sales, the Brothers Castro, and series regular Jerry Van Dyke.
July 15, 1965: Judy flew from Los Angeles to New York for her next concert. She stayed at the Regency Hotel and late that night in her suite she had an interview with Leonard Harris of The New York World-Telegram and Sun, during which she said, “I guess singing is a good outlet and if you can get paid for doing it, you’re damned lucky.”
Photo: Judy at her home in the Brentwood section of Los Angeles in the summer of 1965.
July 15, 1967: The last night of Judy’s five-night engagement at The Camden County Music Fair in Camden/Haddonfield, New York. Some wonderful photos were taken of Judy during this engagement, in her Valley of the Dolls pantsuit.